Our proprietary Time-Slice® camera array technique is a truly modern digital system. Its image quality allows the output of our array to match with anything from SD to HD and all the way up to 4K in resolution. Also, because of this resolution, dynamic virtual camera moves are possible in post-production, allowing you to push-in to a shot by up a factor of 4 in some cases. Additionally, with our proprietary software, we’re able to offer playback of takes within seconds allowing your creative team to see what they’re getting “in the can” almost instantly. Very different from previous systems where it could be a number of days before you had any idea whether a shot had been successful.
 
There are an infinite number of ways to configure the rig, our three favorites are:

• Linear: All cameras track across the scene, providing a visually attractive way of revealing elements over the duration of the shot.
• Converged Linear: Produces the perfect way of spanning large areas, going big on the camera move, while fixating on certain points of action.
• Curved: This provides the greatest amount of rotation around the subject, a-la “matrix” style. We tend not to shot round more than 120 degrees of the curve, as beyond this expensive rig removal is needed in post-production. However, we’re happy to discuss all options.

TimeSlice is melting post of expertise, we take great pride in our ever evolving creative hand and cutting-edge eye.

Our “design boutique” approach means we create uniquely styled solutions for every project — individual, proprietary and distinctive. Each client receives the one-on-one service they deserve, and an end product that inspires.

TimeSlice. We invent, we enhance, and we stimulate. Your brand, your senses, and your story.

We have managed to build up quite a repertoire of equipment for our toy box over the years, and love the flexibility of having all these things on hand.
 

• Time-Slice® camera array rig
• 7k still cameras (Phase One)
• Studio-based motion control camera rig
• Super high-end panoramic & HDRI camera
• Remote-controlled cameras
• Tabletop and automotive sized robotic turntables
• 10‘x42‘ remote-controlled light bank
• Hosemaster fiber optic lighting
• Turbofilter – a split diffusion system
• Large green screens
• Vehicle lift for underbody work
• In-ground, outdoor pool for extreme sport productions

The global production team at TimeSlice is able to operate as a full production service, or successfully as a co-partner in production. Our production staff has over 23 years in the business, and by business, we do mean the industry…

Sharing a history in genre’s such as documentaries, factual and light entertainment, our team has range of knowledge and a little black book brimming with contacts. They are able to deliver on time and with the highest quality of standards, regardless of a production’s budget.

TimeSlice Film’s founding office is based in south London, and accommodates our European equipment and production crew and international in-house design teams.

In the States, TimeSlice USA office and 10,000 square foot studio are able to handle large-scale productions and complicated studio shoots. It is ideal for previsualization of location array jobs, R&D testing, and in the development of new array techniques.

When fused, this synergistic set of skills at TimeSlice gives our designers, compositors, and optical specialists the unique chance to create the spectacular.

So, if you have a obscure and outlandish request, we’ll find a solution that enhances your story even further than imagined.